July 30, 2015
How many times have you wondered how interesting a stripper’s life must or should be? If you’re the kind of person whose answer to that is ‘745,876 times’, know that “Magic Mike XXL” is not going to make you stop wondering. In the first place, there’s no reason why you should. The reasons for your fascination might be unceasing for a variety of reasons, but if you find that all these essential questions about the Male Stripper life is beginning to get cumbersome, you can just sit back and wait for male asses to pop.
The men of Magic Mike lead fantastical lives of road tripping, women-pleasing, and cash-bathing. Mike, Richie, Tito, Ken, and Ernest are fine examples of male strippers who earn their wages and value what they do. We all know those kinds of male strippers make tons of money but in this movie, they swim in dollar bills.
In the sequel to one of the best male stripper movies of all time, there is an attempt to provide insight to the guys’ personalities: Mike is committed to his business but is not really finding joy in it that he takes Ginuwine’s Pony playing on the radio as a sign that he should join the boys on their trip to the very real Stripper Convention. Richie who is allegedly hung like a horse, is having a real male struggle: he hasn’t had sex in months, a confession that he validates by reminding everyone of his dick’s enormity. The rest of the guys have mildly interesting things happening to them as well and they talk about those things in what feels like eternity, as if to tease you and me. These are some very chill male strippers with some very chill problems. The movie is too classy to make mountains out of these strippers’ molehills.
Make no mistake: the road to stripper-con is filled slight inconveniences. On one of their pit-stops, they hang out with wine-drunk cougars and make them feel worshiped, and while a scene like this could have played out like a cheap segue into a who-called-the-hot-plumbers strip extravaganza, the guys’ wine session with the cougs (led by a short and captivating turn by Andie McDowell) turns out tender, fun and sweet.
Maybe I’ve been seeing the wrong male stripper movies, even though the last one I remember seeing was “Magic Mike” part 1. These were the exact same thoughts I’ve had when I first saw Magic Mike. Strippers who aren’t dirt poor, who are not deprived of skills other than dancing in colourful briefs, thongs and things, could make a living other than dancing for thirsty and curious women, but not necessarily out of choicelessness. This is a movie that respects the people’s right to see a stripper movie who are not all solely motivated by the obvious rewards of cash. The cash is indispensable but above all, stripping is fun and beneficial to everyone.
Maybe, the strippers from my own native land lead the same interesting lives, and I was just too caught up in my own life to bother with the lives of people whose profession I do not share (but appreciate). If there’s one essential element to the stripping profession and lifestyle that “Magic Mike” movies capture, specifically XXL, it is that the job of a stripper is to hold people’s attention hostage; they are fascinating onstage the way they ought to be and Mike and the guys’ boy band banter is no less entertaining.
After succeeding viewings in DVD, my thoughts have not really changed about the women-baiting, cash-bathing world of Magic Mike. If it wasn’t for my own life effectively taking over my healthy interest in stripper films, I probably wouldn’t have stopped searching for the truth. As it happens, I haven’t seen many stripper movies since Channing Tatum first bared his ass onstage with the equally unmoveable yet moving asses of his on-screen buddies Joe Manganiello (whose I Want It That Way sequence in this sequel is too great), Matt Bomer and Adam Rodriguez in the first Magic Mike; precisely the reason why to this day, I am left unenlightened. And that is okay.
“Magic Mike XXL” is exactly how movies about male strippers should be: fun, glorious and with the right amount of baby-making 90s R&B jams blaring in the soundtrack. It’s hard to think of the last time a movie about strippers let strippers be strippers. There is simply no answer to be found as to what constitutes the stripper life, unless you go and see the riveting and confused stripper documentary “La Bare” in which real life male strippers talk about their lives. Where a movie like “Magic Mike” sort of builds mystery (or at least maintains it) for male strippers, that must-watch documentary destroys it. As the saying goes: Your life, your choice of male stripper film.
April 26, 2015
‘And as time passes, the not-really-friends on FB have sad things happen to them that I can’t care about if I want to continue living — humans just aren’t set up for feeling deeply about so many people.’ – Richard Lloyd, nymag.com commenter
Things are happening in the world every day, important things that do not involve divas (which happen to be my favorite topic). The Philippines is a very happening place and people are naturally always talking. As a semi-active social media entity, I hear most of the talk. From these, certain emotions are elicited from me, one being anger and another, fright (if that counts as an emotion) – for my frequent lack of concern for whatever important historic thing is happening. For instance, the pope.
Not having an opinion about an important event is probably not as bad as having the wrong or shitty opinion, but shutting up about something has always been more attractive an option to me. As one great diva once sang, ‘it’s not right, but it’s okay.’
When I don’t broadcast my feelings or ideas, I feel either an overwhelming wave of relief for not having said whatever possible foul, stupid or corny thing I felt like saying moments ago – or I feel like a stinking coward. A coward who stinks. I feel like a coward for failing to let people know, for example, that I think 50 Shades of Grey is shaping up to be the year’s condescension victim of the year (because people – actual movie critics and feeling critics alike – are praising it in the most hideous way possible, saying things like ‘it’s not that bad’ or ‘I’m surprised by how Okay it is,’ etc. which fucks my shit up for reasons unknown). I don’t even like that franchise and I don’t have immediate plans of seeing or reading it. People can be so patronizing sometimes (actually, most of the time) and this superior attitude over something so obviously inferior is such a shitty sight to see.
Also, the things that I get all worked up about can be embarrassing, so I think I have a very good reason for worrying about being worried, and talking about having second thoughts about saying things about things as un-vital as 50 Shades. I’m aware of this, but sometimes awareness is not enough. That is why I choose the path of comments-less social media persona every time. It’s not that I’m afraid of being seen as an awful person by my peers, it’s that I know I can be awful and I’m just choosing not to expose that capacity for awfulness so carelessly.
I should probably name other Important Events that I failed to see the value of having an opinion of, but I am slowly learning how to effectively turn off current events noise no matter how important they may be. Sometimes I do that by reading. Reading fiction is probably the second greatest way of escape; dying is first.
This is becoming a problem for me because when people are extra-effusive about certain IE, I feel even more worried (‘how could I not be feeling anything?!’).
My silence is also influenced by fears associated with having job and residential security in my current environment. A nice, non-awful person tweeting whatever the shit he wants and getting away with it is something that fascinates me. It’s admirable-infuriating when someone unleashes his inner sociopath by composing seemingly carefully constructed hateful thoughts about an awful situation (one of those important events), thrive and not get shit from some authority figure. It could be that they are saying something mind-blowing about an important thing which affords them a pass, or it could be that these fearsome authority figures only exist in the mind of cowards who tend to gravitate towards unlikely scary scenarios involving imagined authorities.
It could also be because some people’s brand of awful is more substantial or palatable than others. Plain lack of intelligible thoughts could also be a factor. Bobo lang, ganun. Neither uncaring nor unconcerned but stupid.
Yet another factor is being surrounded by personalities teeming with intelligent thoughts. If I surround myself with dimwits, I might have a chance of sounding more intelligent, I think. If I surround myself with even more opinionless personages, I might stand a chance of coming off appropriately opinionated. There is no shortage of possibilities in this scenario and I am willing to explore each and every one of them. What else? If I take drugs (drug addict drugs) and worry instead about my next fix, I wouldn’t be so concerned about today’s social ills, and just focus exclusively on my own.
And now, some finalities.
I know that:
1. Talking about your Facebook life in a blog has the look and feel of someone who hangs out with the popular kids at school during recess, and then goes to his real friends after school hours to bitch about school and its peoples. It’s not cool. Since I’m dripping with awareness (I think), I know this and feel compelled to let you know that I know.
2. Having a public monologue about how uncomfortable you are about your social media ‘silence’ is yucky no matter how it’s done… but maybe only when it’s done by certain people. Yes, the worrying about social media is realer than ever and there is no stopping it.
3. Time and effort could have been saved by refraining from talking about things such as the ones talked about in here, but this my blog.
4. I should take the time to invest more emotional energy in the careers of other females other than Beyonce and Mariah. It is not impossible and I would really like to see me succeed! I feel like I have succeeded somehow by posting about Madonna instead lately. But even she is getting irritating and becoming the very sort of social media celebrity who speaks just so she can make sounds. Ditto Beyonce and constant news about her wig shifts.
February 1, 2015
My favorite place of worship when I was young was Don Bosco Church in Makati. It had an unimposing aura about it as it is a school and church, and most importantly, it was directly in front of Makati Cinema Square which didn’t use to be a pirated DVD and cellphone repair stalls haven. It used to be, from what I recall, a decent enough mall where Catholic families such as ours could go after the extremely nourishing Sunday homily. I can’t honestly say that I cared for homilies when I was in grade school age, but Don Bosco was truly like heaven with its perfectly mowed lawns and playground-like courtyard, making it easier for young Catholics like me to suffer the burden of hearing English-speaking priests speak allegedly virtuous aphorisms. Sundays spent hearing about Christ our Lord was worth it as long as there was a promise of mall entry immediately after. If only Christopher Hitchens had some sort of reward for being inundated with religion early on in his life, he may have been slightly less vile towards religion and/or just Catholicism.
Santa Clara Church in Pasay, on the other hand, just wasn’t the right place to be taking your kids for Sunday mass if you’re a parent who wishes to have a religion or god-conscious children. I wish my parents knew this then. The best it could offer were cheese curls and popcorn stands which were hardly capable of making mass-averse children okay with going to church. In the mind of a young person, those precious 1.5 hours pouting and salivating (for cheese curls) at church could have been spent playing Rockman 1, 2, 3, 4 and 5. Santa Clara in Libertad held no wonders for children wanting to spend their Sundays more productively. Masagana had treats for the adults (the sleaze-infested cinemas, the cheap grocery) and teenagers (arcade games) but none for little children finding their place in the world, specifically, in Pasay City. Since I was not a special child, I behaved predictably and never had fond feelings for church-going as a Sunday activity.
Going to other churches within the Pasay-Makati vicinity was just too depressing to even contemplate, not to mention very unnecessary, and so, I believe that as child, I exercised what very little conviction I had, when I refused to go to church if the church were neither Don Bosco nor Santa Clara. I would have rather spent the remaining hours of that Sunday entertaining thoughts of befriending Satan, than go to a church that is unfamiliar and even bleaker than Santa Clara. I don’t know that this is what really went through my mind as a church-negating child, but I recall quite vividly that hearing the Apostles’ Creed is one of Sunday mass’s greatest providers of relief as it signifies the end of the homily, a 30-minute gabfest that I never once remember appreciating the existence of. Looking back now, I think priests had much more freedom to talk smack about reproductive health and similar bills and things that are supposed to be the causes of inflammatory language in most opinionated Facebook persons’ posts. Back then, there was just no way anyone could badmouth any priest who deigned to preach antiquated lessons, moral or not, in a free medium for all to see. It can be supposed that people are a lot more caring now and more enlightened.
I grew up and that meant one thing: I have become a Masagana target market. As a ten, eleven-year old boy in Pasay, I finally recognized that there are sources of joy where one dares to find them even in a place as delectably grimy as Pasay. Interest in video games transitions into a mild addiction for arcade games and Masagana had arcades, ugly though their joysticks may be. Also, ten and eleven is when I started being fascinated with cassette tapes. It could be an interest in hearing music and nice songs first before the cassette fascination, but it was great either way. I bought my first album, 4 Non-Blondes, in Masagana department store and it was great. What’s Up was such a big hit in the early 90s and Spaceman, the second single, is also wonderful.
Tapes were truly great, I soon discovered. One of the best incentives of growing up is having a genuine interest in a thing and mine seems to have been throwing away money at record store cashiers. Yes, throwing. After 4 Non-Blondes, Bon Jovi, Aerosmith, Cranberries, lots of Eraserheads, Alamid, Rivermaya and even Orient Pearl and plenty others. I liked my taste.
Then, I started reading. In the topmost floor of the Masagana super store, there was a stack of very randomly arranged books that were sold for 5, 10, 15 pesos. That’s when I first realized that shoplifting can be done if one puts enough thought and effort into doing it and doing it well. 1993 was a good year in literature and life education for me.
Odyssey soon appeared. With its twice as many albums and CDs, life was never the same. I was already in my teens which meant that TLC has penetrated my consciousness. Beyond the greatness of Waterfalls, I was slowly appreciating the significance of this group to a music-appreciating life. They have talked about very worthy topics such as having confidence in yourself, taking care of yourself (by not having unprotected sex), the value of creeping, dealing with unrequited love and lust, and a host of other subjects involving self-empowerment.
I wanted so much to buy the hologram version of Fanmail but that would have meant pawning one of my mommy’s jewelry, back when I still had one of her jewleries. If I were more audacious, I would have pawned the gold charmbracelet she gave me (through my daddy) and bought the Fanmail special edition which, according to rumors, had the rap version of No Scrubs featuring Left-eye. It would be so much later in life when I would learn the value of audacity, and also patience. As for patience, I thank God for providing me it early in life because having that virtue meant waiting for albums to get cheap. Sometime in the last decade, I found a Japanese edition of Fanmail with a bonus track, a track which you can never ever find in any other version of the album.
January 24, 2015
Is a question I should have prepared for but didn’t. I’ve always had an idea of a typical Thai as aloof to the idea of a foreigner. I’ve always thought of them as unlike most Pinoys whose hearts melt when asking foreigners about their estimation of the Philippines and upon hearing something that vaguely sounds like affection for the country, pass out from a wave of tremendous patriotic pride. I think that when a Thai asks me that, it is really just out of plain, unobtrusive curiosity. But then of course, Thais would be unlike most Pinoys in that regard because in the first place, there really is no one in the world quite like Pinoys.
There is nothing wrong with Pinoy Pride, I know it, but I’ve always been unable to relate to this raging nationalistic fervor. It’s fine, though, because I can just feel that the Philippines also doesn’t care about my lack of love for it, and maybe my indifference towards it may not be intense enough as to seriously wound the quite fragile Filipino Pride.
Maybe I never bothered to think about the answer to that because the question ought to be Why did you leave the Philippines? because that is really what I did. Maybe I would have had better responses to that question had it been phrased differently, say, ‘Why did you decide to get away from all the horrendousness brought about by a Manila existence?’ or ‘Why did you think it was smart to leave Metro Manila, shitty Metropolis?’
But Thais are not like that. They’re so great and kind and so they would only ever ask about moving and not about the leaving.
Had the questions been phrased differently, I would have had to prepare a pageanty answer because as much as I would love to point out the positives first (ie, ‘Because I simply love Thailand!’ etc.) I wouldn’t want to be perceived as a shit-talker of his own country and of shitty things, in general. Talking behind the Philippines’s back, even though it sometimes deserves it, does not feel good, knowing that not all people who migrate feel the same way as I do. Also, it would feel very silly and embarrassing if I talk ill of a country I know I would have to go back to sooner or later. If it’s any consolation I have Palawan Pride. I think Palawan makes all other beaches look like swamps.
That is maybe why I never bothered to devote an hour or so of my life to list the plentiful reasons why I decided to move to Bangkok, Thailand — because the question needs to be rephrased. But every time I get asked that, I am tempted to give the following stock answers:
1. Because there’s nothing in this world I would rather be than here.
2. Because the trains here are so great. So great that I would never shut up about their greatness, ever.
3. Because I love spicy food and it feels so great to be eating them here instead of some ‘Authentic Thai Food’ restaurant in Rockwell, Makati.
4. Because you can mall-hop abandonedly thanks to the wonderful, great trains.
5. Because I’ve read in some tourist brochure or magazine that Bangkok is a city where ‘culture meets commerce’ or something and I wanted to soak up that culture-commerce atmosphere aura.
6. Because I hate our trains and 80% of our roads.
In short, I moved here because it’s so great being here, which I know tells the interrogator nothing. Noticeably, however, hate will have a major role behind the reasons.
It’s not an easy question to answer. If I say something about ‘loving the culture’ and be asked to be specific, I wouldn’t be able to articulate the *culture love* because my idea of culture is hazy and will always involve thoughts of the DVDs being sold at Lido Theater. Great variety of DVD titles would always mean, for me, an act of culture fortification, because making available to the masses these wide variety of movies, not anymore accessible in the Philippines, could only mean that the ministry of culture, specifically the DVD-importing and printing department, cares to have its people have access to these cinematic (and musical) treasures. The DVD and CD selection in a lot of Bangkok stores are truly remarkable and, like the rest of Thai culture, so great.
But I know that that is not what makes a city so highly cultural.
In some faint way, I could say that this is a city that wouldn’t make you feel as if you’re only doing these cultural things as a duty but because there’s actually so much culture to take. And because the trains, those great, great trains, and the boats, let you hop from one place to another without feeling contemptuous of the sickness that is the modern day transportation.
You go to museums because they’re pretty, they’re very accessible, and the restrooms are gleaming works of architectural marvel. You don’t go to Bangkok Art & Cultural Centre because you feel like your Instagram needs to have its periodic culturification because in the last few days all you’ve had are pictures of your photogenic meals and you feel like the commerce-culture balance must be achieved.
I could say that I love the people, but which people exactly? I could support the *people love* claim by saying that the people who make this city so thoroughly livable deserve all the love it can get and so I am professing and freely giving my love to those people.
I could tell them that I love not being impelled to treat the whole office to lunch when it is my birthday, resignation day or baptismal day which is what sometimes happens back home. But deep down I would know that that’s not really it.
Maybe, Why did you move here is a question asked by anyone who has encountered a Pinoy anywhere in the world and it is in fact one of the most common questions ever asked. Maybe there is an idea of a Philippines, especially from those who have never been in it, that is filled with images of fun if over-crowded, party beaches and bountiful coconut trees, and smiling, charming locals, that the idea of someone moving away from all that could only mean insanity. I go to work every day not having poisonous feelings about life, ie, with a song in my heart, but when I dig deeper, I find ‘great trains’ as not being a very compelling reason for loving where I’m now living.
Next time I get asked that, maybe I’ll just say, Because the internet is fast, which I think could perfectly capture the essence of my real answer which is ‘I’m not sure’.
December 2, 2014
Don’t be fooled by the lack of book posts in here. I’ve read really good books this year and at some point in this tumultuous year in this Tumultuous Life I thought I would never read a book I wouldn’t love. This year was marked by ‘best book ever’ feelings and proclamations which usually last for a week. That is until I came to book #8 which was Patricia Highsmith’s Ripley’s Game and book #12 which was Virginia Woolf’s To the Lighthouse. It wasn’t really their fault. In Patricia’s case, I may have started on the wrong Ripley book which left my insides unstirred (which rarely happens with her!), while for Virgie, it was the fault of the faulty, mis-scanned e-book, and myself, for not having the foresight to switch to a better version of the e-book rather than slogging through a shitty e-copy obtained from a source of disrepute, which, I realize now, I have no right to complain about. But as the great (young) Heather Mooney would say about the cigarettes she never gets to finish, what a waste!
Not that it matters but, should I die the next day, I would like the world to know that the last book I read and loved was This is How You Lose Her by Junot Diaz. Of course I’m not going to die tomorrow because all my enemies are nowhere near me, and like Yunior, I’m not the killing-self type of guy, maybe.
I can barely remember what Drown was about, all I can remember is that it’s also structured like TIHYLH, with Yunior as the narrator/star. This is why it is very important to write down exactly what you love about a Junot Diaz because someday you might find yourself reading him again, very certain of your enjoyment of his work and not know exactly why and feeling like a true fool and an unreliable professor of love.
In This, hogging the spotlight is his brother Rafa who uses cancer to his great advantage. I can’t get through cancer stories without getting really very emotional which is why I decided that after season 1 of Breaking Bad, I’m done, why even though I have some sardonic feelings for John Green’s The Fault in Our Stars I still found it in my heart to appreciate its highly self-aware, ultra-witty teens who are all almost unbearably witty and articulate, for acting like Seth Cohen and think no one will notice, and getting back to the sardonic feelings and thinking that the feelings were not incorrect. In here, the becancered Rafa knocks Yunior out and it is a cause for hilarity. Best cancer story ever.
It may sometimes feel as if Yunior spends a lot of time navigating the legs of his girlfriends and side-bitches, but all of that are essential to the stories; all that sexing and side-bitching are sure to put an end to even the most hardcore relationships and Yunior is one horny, passionate motherfucker. This is a book about losing through the inescapable necessities and peculiarities of life. Stories about loses are, or should be, rife with sadness and drama, but Junot Diaz is not that kind of guy.
Even though I generally find his humor sublime despite not really getting all the pop culture, comics references and not understanding the Spanish slang (which he never bothers to translate, and why should he), I can’t help but think that if this were my first time to read him, I’d find characters who say things like ‘Bitch made Iggy Pop look chub’ a very poor attempt at either coolness or funniness. A line like that is in itself not funny, but the funniness here necessitates presence aka you have to be there. And so, Junot Diaz, is still for me a very funny person.
In George Orwell’s lengthy scrutiny of Charles Dickens, he says something about putting/imagining a writer’s face:
‘When one reads any strongly individual piece of writing, one has the impression of seeing a face somewhere behind the page. It is not necessarily the actual face of the writer… What one sees is the face that the writer ought to have… Well in the case of Dickens I see a face that is not quite the face of Dickens’s photographs, though it resembles it. It is the face of a man about forty, with a small beard and a high colour. He is laughing, with a touch of anger in his laughter, but no triumph, no malignity.’
If I were to give a face to Junot Diaz, it would have to be a sexy, mischievous face. It is a face attached to a desirable head, perched atop a towering, impressively built body with hills for chest and buns for days. Having heard about the author’s bad back, I know this imagining to be inaccurate, but that is the author I choose to have imprinted on my mind forever and I am not willing to entertain retaliations. When you feel like putting a face on an author you love, know that you’re entitled to it, the emblazoning of a face, in the same way that Michiko Kakutani is entitled to calling certain voices in fiction ‘limber, streetwise, CAFFEINATED, and wonderfully eclectic’.
This is How You Lose Her is my year’s second highest point because #1 is George Orwell’s Down and Out in Paris and London. Congrats, This is How You Lose Her.
What does it say about me that I care so much for Amy more than anyone in this film/book, that even while she was gutting Desi in the house he furnished to her exacting standards, I didn’t care, because I was just impressed about Amy’s mad skills (which I won’t deny is probably the wrong feeling to feel)? She sets her mind to do outrageous things (for vaguely sympathetic, slightly understandable motives) and does them with efficiency. Do I identify with strong female figures because I identify easily with females and I can’t help it or because I really just happen to really irrationally like SFFs? It could be that in relationships I tend to be the Amy which should explain the fondness, but actually, I do not have the mad skills or the intellect to fabricate life experiences in my diaries. I have a heart and I would rather write the truth all the time, always and forever. Ultimately, I can’t ever really know why characters such as Amy fascinate me, but all I know and feel is that Amy is an icon of feminine strength and strength in general. Slightly troubling, I guess, is that it didn’t immediately occur to me that what she orchestrated is psychotic. It’s not right to cheer for characters who perform heinous things to themselves and to their husbands, but when evil geniuses pull off feats that the average cheated-on, wronged wife can’t do, it’s just so hard not to be amazed.
I knew from watching movies and from living this life that some marriages, no matter how cute and organic they started, could not be spared the inevitable decline. But I wasn’t prepared for Cindy (Michelle Williams) and Dean’s (Ryan Gosling) breakdown in this infuriating/fascinating marriage dissolution drama. It was not a good idea to watch this just after reading Gone Girl. Gone Girl and Blue Valentine are not the best things to consume when matrimony is your favorite sacrament.
Blue Valentine shows a husband who does exactly what husbands with low self-esteem and low ambition do – they storm off to the wife’s workplace and create a great, grand scene. Witnessing Cindy and Dean’s big fight scene evokes a feeling similar to when you’re 12 years old and you have just witnessed a rape or mutilation or whatever grotesque scene in a movie for the very first time. The movie also shows the kind of faces women in bad marriages make when they’re trying to please their actually still bangable husband. Michelle Williams may not have won the Oscar but maybe, just maybe, she deserves the Nobel Prize for Disgusted Wife Portrayal.
Becka’s (Nicole Kidman) neighbour invites her to dinner and she declines (for no good reason other than she doesn’t want to). She eavesdrops at her sister’s phone conversation and expresses her disapproval of her aura every chance she gets. She causes a scene at said sister’s bowling alley birthday party which she attends begrudgingly, and she avoids small talk with seemingly well-meaning people. She is an unhappy, childless wife living in a nice house with a fit husband (Aaron Eckhart) and it’s becoming very clear that this movie is about how the relationship of this couple is going to disintegrate further, the more they try to cope with their dead child.
Her husband, Howie (Aaron Eckhart), grimaces and pouts a lot because she’s acting kinda shady – she deflects his advances (‘I’m not ready yet!’, ‘What do you want from me?!’, ‘Al Green is not an invitation?!’, etc.), gets rid of their son’s things, rolls her eyes at the testimonies of the Grieving Parents Anonymous sharing session, etc. It seems like it’s only a matter of time before he confronts her in an electrically charged dinner scene (ECDS) and tells her he wants a divorce.
Howie wises up and attends the support group alone because Becka’s eyes would fall off their sockets if she hears another Jesus freak couple refer to their lost child as an angel in heaven. Luckily for him, Sandra Oh, also a grieving parent, shows up in a parking lot to smoke weed. She also has had enough of baby corpses being referred to as angels and she’s miserable because her husband left her. Together, Sandra and Howie find solace in smokes and so the inevitable ‘I want a divorce’ proclamation gets real. Except it doesn’t because Howie loves Becka very much.
I wait for the ECDS to happen, but the movie held my hand and told me everything’s going to be alright with these two. They are probably going to make it through this rough time/life, maybe make another baby as soon as Becka thaws out. She ought to because she has read a comic book created by the boy who bulldozed her son, and the comic is about parallel universes for a family where the boy protagonist witnesses his family in alternate universes something.
Rabbit Hole is almost the saving grace in this Marriage is Ugly trifecta, but GG and BV already scarred me although hopefully not forever. I’m not sure I believe that Becka and Howie could restore their normal life because Blue Valentine already convinced me that when a couple can’t go back to their special romantic space, they really can’t anymore. But then again, Becka and Howie are rich. And if Gone Girl has taught me anything, it is that money can buy happiness, specifically, happiness derived from revenge, and if money can buy that kind of luxury, what can’t it buy? Almost nothing. Books and movies deign to teach me a lot of things.
October 9, 2014
Oct 4, Tokyo
Mariah is now in Asia and my excitement is impossible to contain. Tokyo is the first stop of the Elusive Chanteuse Show and all I could think of is how lucky the Japanese are in this moment and in life, in general.
But as it turns out, the opening night audience wasn’t very lucky. She didn’t sound very, very good based on several clips that surfaced. I have to be honest about how I feel upon hearing the botched Vision of Love and We Belong Together because where would I be if I don’t display honesty always? Those 15-second clips, posted by a ‘fan’, were difficult to watch.
Because Mariah has always been the object of sharp critical analysis mostly aimed at the legitimacy of her talent and sometimes, boobs, certain avenues of expression such as Twitter were set ablaze with fiery and foolish commentaries. Even people who don’t care about divas or concerts, or music felt compelled to comment on the imperfection in her vocals. But actually, these people are sort of blameless because really, criticizing great artists has always been fun and it’s extra-fun when certain admirers of these artists look visibly upset. Ours is a world where it’s fun to make fun of people who falter. It is maybe not human beings’s fault that they find hilarity, unexplainable glee when a popular, multimillionaire woman is battered and beaten and called a has-been, hag or ho. It’s a heart-stopping sport for most especially where divas and their fans are concerned. It’s the kind of sport that unites people of all race and religion.
As for myself, I surprisingly wasn’t as disturbed as some obviously were. I loved Mariah when I was 12 or 13 years old. Something I loved when I was 12 is something I love for the rest of my life, or something. I didn’t like her because in the 90s, she was liked by every living human being and I wanted to join the club. When you’re young, you don’t care very much about what you like. In fact, I’d like to have my taste in films and music back. My taste in things has been smeared with impurities and my innocence about what is enjoyable and what is shit has long been shattered. Maybe it was my copies of Entertainment Weekly that poisoned my critical sensibilities with their movie rankings and reviews and things that told me what piece of entertainment deserves an A+ or F.
More articles surfaced about the less-than-stellar performance. More social media personalities thought to bring out their inner music critic and all-around genius, in order to point out that something went wrong with the singing. It hurts to be on social media at a time like this. You can’t not take some of it personally especially when people do it stupidly which is most of the time.
When you liked Mariah at an early age, the sort of supposed devastating faltering is not something you could have prepared for. If you are now a 13 year old boy who thinks Beyonce is going to be the shit 15 years from now, you better be prepared for when she can no longer register interest in the hearts of many. That day arrived for Michael Jackson, Whitney and Madonna and it will come for her, you best believe it.
If I had known at 13 that this is what I’m setting myself up for, that this is what it means to worship Mariah, I might have thought twice. But the Butterfly era was just such a glorious period so I think there was nothing I really could have done.
For the first time, I will see her live and I don’t think I will care that much if she screws up We Belong Together or Vision of Love although I hope she does not. I think what I bought the ticket for is for the chance to be contained in a same room with her, to get the once in a lifetime opportunity to breathe the same oxygen in the same room at the same time.
Oct 6, Yokohama
The singing for the second show was still far form perfect but still none of other people’s faves could come close to Mariah Carey’s ‘imperfect voice’ and so the throne for greatest living vocalist alive still wasn’t relinquished and all is right in the world. The sport just got boring for people who played it so classily during the first show. They are waiting to retweet the first 15-second clip of Mariah singing Always Be My Baby shittily that they could get their hands on, because the second show was not going to give it to them. The moment never came and mean social media bores are still crazy.
Finally someone had the sense to record respectable clips of when she sang so gloriously. It’s so great to know some lambs are still capable of good, sensible deeds such as this because really, sometimes, it’s just so hard to fathom why some ‘fans’ would post unflattering clips. Maybe these are the lambs who are also fans of basic starlets? It can only be surmised.
Sometimes I don’t agree with some of the lambs. Sometimes, fellow fans can be stupid and needlessly shady, like as if it makes it okay for them to say nasty things about her because they’re fans, calling Me I Am Mariah… The Elusive Chanteuse (fantastic album) a flop flop flop. It’s irritating but if that’s how they deal with their grief, I’m left with no choice but to temporarily ignore their existence.
Much as I loathe some of the crazy, annoying fans, when our girl gets it right, we get to hold each others’ hands, sing praises for whatever she has done right in our own little ways, and heave a collective sigh of relief.
From now until the 30th, when she makes her last show in Asia, I will be very pre-occupied with thoughts of her. I will rhapsodize and romanticize fervidly and incessantly. I will relive the splendour of she and I because it’s not as if I have a choice.