
When Chris Martinez brought us the wonderful 100, we knew it’s only a matter of time before Eugene the great Domingo stars in a movie of her own. If 100 wasn’t such a good movie itself, we’d have clamored for another Eugene movie. But Martinez’ film debut was great and it filled a void. Months (or was it years) passed and still no sign of Eugene in the big screen. So we go and see those that has her as supporting player in movies like ITALY (I Trust & Love You), Tanging Ina Nyong Lahat and Ploning. But these movies are NOT great and Eugene can only do SO MUCH. She may be a terrific actress but she can’t single-handedly and magically turn crap into cinema greats. She’s human too.
And then Facebook resurfaced as the premiere social networking site and we suddenly have the means to stalk our divas and rock stars. It provided a platform for announcing our fanaticism for something and anything and so we hurriedly Become a Fan of the great actress of our time. And through this formidable medium we got a glimpse of a great movie in the making called Kimmy Dora, Kambal sa Kyeme. Finally, redemption! Eugene will have a movie out and it looks like she would play twins! Not only was there going to be a Eugene movie, it’s going to be a Eugene movie written by Chris Martinez and set to star two Eugenes. Orgasm.
In the movie, Miss Eugene plays Kimmy, the acerbic and poisonous boss of Go Dong Hae Corp, and the twin Dora, the adorable half-twit who effortlessly elicits the affection of people and their mogul dad played with uncorny enthusiasm by Ariel Ureta. Kimmy is the fitness buff, the over-achieving Go Dong Hae daughter who is the family’s brains and allegedly, beauty. But the unassuming Dora is the twin who manages to get the adoration of the dad and the office hunk Johnson (Dingdong Dantes) without ever having to do so much. This and the fact that Dora is the exact opposite of her gets on Kimmy’s nerves and her hatred towards the half-retarded sister is only magnified by their father’s decision to bestow only a margin of his estate to her while Dora gets the bulk. The unputdownable Kimmy is unhappy so she confers with an equally evil colleague played by Baron Geisler. Things go out of hand when Baron’s character mistakenly hears from their phone conversation certain instructions that are actually intended for the house ipis, that is, ‘paluin ng tsinelas, tapakan, at itapon sa malayo’ the clueless Dora. Trouble and endless parade of funnies then ensue when Baron calls for the kidnapping of Dora to execute what actually is an ipis plan.
The movie is mostly character-driven, not heavily relying on plot to move things forward, but when you have Eugene as your star, that is probably the best way to go about it. In Kimmy, the action is relegated to the reliable shoulders of Eugene Domingo and she doesn’t disappoint even though there’s hardly any action. In typical Pinoy comedy, action here happens in the kidnapping scenes which call for the escape plans, police chases, and the inevitable jail scene. Sadly but not despairingly, not much of the plot works and towards the end, the resolution feels a bit rushed and it didn’t make much sense that the police knew where the kidnapped was taken to because even though Dora, the intended victim, could have wormed the information out of Baron, she is clearly not too sharp to do it and the movie doesn’t even show that she tried. But what the movie lacked in plot movement, it more than made up for great characterizations, even those who are in scenes for not more than 10 minutes. Chris Martinez is after all, more adept at developing complex, interesting characters. And in this, he made plenty.
If I haven’t emphasized it quite enough, let me just say again, Eugene Domingo is a great, magnificent, and super good actress. When she speaks lines like ‘Najejebs ako!’ in a retarded fashion as definitely called for by the script, prepare to die laughing. You’d also die in her other scenes, such as the ones in the office where she terrorizes her co-workers and Johnson, specifically by doing a Sharon-Stone-in-Basic-Instinct leg-crossing minus the crotch-flashing bit, the Julia-Roberts-in-Notting-Hill swimming pool scene (there is no such scene in Notting Hill) where she asks for the very pogi Johnson to love a floating girl, scenes with the katulong who very funnily calls her ate Kemmy and ate Dura, the ones with Zanjoe Marudo where she bitches for every inconvenience she experiences, basically in each and every scene she’s in. The days of Eugene Domingo stealing scenes from her supporting roles is over at least for now.
Although not burdened by the numerous cameos of stars, one had to wonder why this had to be. Maybe they didn’t trust her enough to carry the movie on her own and that it’s necessary to have some super famous celebrities turn up in certain scenes? That would have been a wrong assumption as the movie is All Eugene. Or maybe it’s a stroke of brilliance. We don’t get to see a lot of that in Pinoy movies and it’s quite fun to see the likes of, well, just see for yourself on September 2 when the movie officially opens which big stars show up.
The bevy of ’stars’ in the supporting cast actually did good and they were quite enough if there ever was concern about the lack of Major Big Stars. Take Dingdong Dantes for example, a pogi actor who was good and believable as a hunk who’d fall for a dork like Dora. What makes his performance good is that he doesn’t seem too self-aware in the tradition of good-looking actors who maintain expressions that seem to pander to the idea that they’re pogi playing the lovestruck hunk pining for the unattractive character (not actress, take note). Also of note is Ariel Ureta who does not resort to the cartoonish Chinese billionaire depiction, also in the tradition of billionaire Chinese dads in movies who feel like they have to speak with a Ching-chongese accent to put the message across that they’re playing a Chinoy businessman. And who could forget the katulong who, in her maybe 8 minute scenes managed to be unforgettable? Martinez and his casting troupe know talent where they see one. The Kimmy katulong reminds me of Me-anne, the 100 katulong. Miriam Quiambao, Baron Geisler, Zanjoe Marudo, all pretty actors managed to not just look good but hold up their own beside The Great Actress.
Kimmy Dora is the first feature film of a newly established firm, Spring Films and supposedly the first time a press screening was held for a local movie. It is also the first starring role for Eugene Domingo and boy, what a way to start. For now, those of us who slobber over Eugene movies have this to feed us for the meantime. In the press screening, one can sense a certain asking tone from the producers and understandably so because we’re not likely to see the trailer in those two local channels of ours who are affiliates of major film studios, Viva and Star Cinema who make sure that when their movies are to be launched, we’re reminded one freaking month ahead of the showing dates. The promotion and marketing for Kimmy Dora will probably largely depend on good word-of-mouth and Facebook and maybe Twitter and that might not be enough and that would be a shame because Kimmy, while not perfect, is largely better than the song lines-titled romances we’ve been getting since forever. I guess all I’m saying is if you can sense a future aching for another Eugene movie or maybe even a Chris Martinez movie, go see this and die just a little.